Millennial Fair – Photography Part 1, the Technical Basics
Photography is very rewarding. Anyone who can see and has a reliable camera
can take a great picture. It doesn’t matter whether you want to become
a professional, an amateur hobbyist, or just the person with the best
pictures of your friend’s wedding; photography begins as a learned
skill.
Choosing a Camera:
The first thing you’ll need, of course, is a reliable camera that both
serves your needs and fits your price range. Take a look at the advantages
and disadvantages of both digital and standard cameras. Most low priced
digital cameras have few features and may not catch as many details as a
standard, no–feature 35mm. The other difficulty with digital cameras is
their heavy use of batteries, which require constant recharging and
replacement. 35mm cameras, on the other hand, are initially cheaper but
require the expenses of film (and less often, batteries and flash bulbs).
Digital cameras require no film processing, as they download images directly
onto your computer. If you take a lot of photos, you run the chance of
taking up a lot of hard drive space with your saved images, and you also run
the risk of a computer crash deleting all your images. Printing digital
photos takes up a lot of printer ink, and hard copies of your digital photos
require sending out your film to a special processor.
35mm cameras require the money of buying film and processing it later on,
and take extra processing or a scanner to become digital. 35mm cameras also
need considerably more care than digital cameras, because the equipment is
more sensitive and less replaceable.
If you simply want a cheap and reliable camera without a great deal of
research, aim for a Kodak Advantix (35mm) or a Hewlett Packard (digital). I
also recommend that you buy all camera supplies from a quality camera
manufacturer; other manufacturers try to sell things in the camera market
but often sell poor quality merchandise that will leave you disappointed.
Once you have your camera, take the time to skim through the manual and get
a general idea of the things you camera can do, as well as how it operates.
Take a few sample pictures just to make sure you understand its basic
operation.
Using the Camera:
Flash: Most cameras have an auto-flash; leave it on. If your camera does not
have this feature, leave the flash on. Turn flash off only when the room is
very well lighted, you are outdoors in sunlight, or your subject is very
pale.
Lens Cap: When using a 35mm, keep the lens cap on when you are not taking a
picture, even if it is just for a few minutes. Even good cameras can have
this problem; leaving the lens cap on can partially expose the film and ruin
your pictures.
Cleaning: Use a soft, clean, dry cloth to wipe the lens and view finder each
time you use the camera.
Watch Yourself: Control your hands and camera strap. Keep the extra strap in
your hands, and keep your hands away from the front of the camera. If you
have long hair, make sure it doesn’t fall in front of the camera when
you’re aiming to take a picture. Even a small, accident block of the
lens will ruin a picture, and most people don’t realize that they have
blocked the lens until after they develop their film.
Lighting:
Lighting is the first and most important factor in taking pictures, because
it is the basis of how cameras operate. As you choose a subject, you must
choose an appropriate angle and distance given the lighting situation. There
should never be any light source in the viewfinder, unless you are taking a
picture of it.
When outdoors during the day, identify where your main light source (the
sun) is. When possible, put the sun to your back so that it is behind you.
When you can’t, make sure to exclude the sun (as well as any rays from
it) from the viewfinder.
When you are indoors, pay closer attention to your light sources, because
they often come from varied places: windows, overhead lights, other rooms,
even computers and televisions. Use your light sources to your advantage to
attempt to light the subject evenly. If you are photographing still life,
you may even want to use an extra light, such as a desk lamp, to provide a
clearer view of the subject.
Pay close attention to shadows, especially when you are looking down at
something. Shadows cast by your subject are fine, but shadows cast on top of
your subject, except when used for dramatic purposes, are often annoying and
result in a poorer picture, even with flash used. Shadows on a subject leave
the eye wondering what object is casting it, and prove a strong distraction.
Distance and Zoom
Your camera manual will tell you what the optimum photograph distance is,
but it usually is about six feet from the subject. Cameras vary, however,
and some may take excellent photos at a closer distance than their distance
warning indicates. Viewfinders reflect an approximate picture, but cameras
may produce a picture that has a closer or farther perspective than what you
see. Some cameras also refuse to take a picture at a very close distance to
a subject. Thus, it is vital to experiment with your camera before hand to
understand what distances you need to be from your subjects in order to take
a good picture. Experience will tell you what is best for the situation.
Zoom functions will allow you to get a closer picture than distance alone
will allow. I will discuss the results of distance and zoom more in part
two, when I explain the best ways to frame your subjects.
Motion Sensitivity
Be aware of whether your camera takes pictures well when a subject is
moving. Cheap cameras usually do not have a function that allows for good
motion shots, and result in something called motion blur, which leaves your
subject fuzzy. Other cameras can take motion shots, but some require a
special function while others are automatic. If you cannot find an answer in
your manual about motion sensitivity, experiment.
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